Notice how the frame guides your attention. The works here are arranged by orientation, since the shape of an image shapes how the eye moves through it. A panoramic frame invites the eye to travel. A horizontal one lets it expand outward. A vertical one holds it in place. None of these is simply a cropping choice.
Orientation is also the most practical place to begin choosing a work, since it depends on the wall before anything else. Panoramic works suit long walls, above a sofa or bed, along a hallway, or across a conference room. Horizontal works are the most adaptable, fitting most walls and pairing well with other pieces. Vertical works reach the places other formats cannot: narrow walls, entryways, and the spaces on either side of a doorway or bed.
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