A national park is not a kind of landscape so much as a decision about one. These images come from parks in several countries and share almost nothing in terrain: geothermal basins, canyon rims, glacial gorges, coastal rainforest. What they hold in common is that someone argued for each of them and drew a line around it. Inside that line the ordinary business of the world is briefly suspended, which is most of what attention needs.
In the United States, the works come from Yosemite, Yellowstone, the Grand Canyon, Olympic, Badlands, and Wrangell-St. Elias, the largest park in the country. Beyond it, they include Banff and Jasper in the Canadian Rockies and Los Glaciares in Patagonia. For many collectors, a park they have visited carries its own meaning, and a work from that place can bring the memory of standing there into a room at home. For others, it is a way to hold a place they have not yet been.
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