Monte Fitz Roy stands on the Argentina-Chile border above Los Glaciares National Park, and the Tehuelche called it Chalten, usually translated as the smoking mountain, for the cloud that sits on its summit almost all the time. A clear morning here is not the ordinary condition. It is the exception you turn up for and hope about.
I walked out along the river before dawn, in the dark, picking my way by the sound of the water because there was nothing to see. I set up where the bank felt right and waited without knowing what I had.
Light comes to a range like this from the top down. The summits went gold while I was still standing in the dark, which meant I could see the mountain clearly for a while before I could see the ground under my feet or the river I had been following. There is something worth sitting with in that order. We would rather have the information first and commit afterward. Out there it runs the other way. You choose a place in the dark, and the light tells you later whether you chose well.
The River Knows the Way is that morning, when the water I had been following blind turned out to have been pointing at the mountain the whole time.
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There are miles of ground between the near bank of that river and those peaks. A small print folds all of it flat. Given enough wall, the distance comes back and you can travel it again. I wrote about that in Why Large Art Changes How a Room Feels.
Photographed in Los Glaciares National Park near El Chalten, Santa Cruz Province, Argentina, at sunrise. This is a single frame image. The subject is Monte Fitz Roy, 3,405 meters, on the Argentina-Chile border, with the spire of Cerro Torre to its left and the Rio de las Vueltas running through the valley below. The Tehuelche name for the mountain is Chalten, most often translated as smoking mountain for the cloud that usually surrounds its summit, though other readings of the word exist. Its present name was given in 1877 by the Argentine geographer Francisco Moreno, for Captain Robert FitzRoy of HMS Beagle. Presented as a horizontal panorama, offered as an archival limited edition from 20 by 40 inches to 40 by 80 inches on acrylic, metal, or archival paper.
Each image is released in limited editions, with edition size set by presentation and scale, so the most substantial works remain the most rare.
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Not sure which print size will work best? See this artwork in my guide to choosing the right fine art print size, with examples of how different scales can change the feeling of a room.
Every work ships insured and arrives with a signed certificate of authenticity.
If a piece is damaged in transit, the choice of replacement is always yours, and your edition number stays with you.
Production time runs 2 to 3 weeks for metal, 3 to 4 weeks for acrylic and paper, and 5 to 6 weeks for framed work.
Collector Edition of 25 · Lumachrome TruLife Acrylic · Handcrafted Italian Frame
TruLife acrylic in a handcrafted Italian frame with a linen liner chosen for the image. Frame series, finish, and liner are settled with you after the order, and production begins from there. The frame and liner add about fourteen inches to the finished dimensions, worth allowing for when planning placement.
Signature Edition of 50 · Lumachrome TruLife Acrylic · Gallery Float Mount
Face-mounted to TruLife acrylic and floated approximately one inch from the wall, with no frame to mediate between the image and the room. UV-resistant, anti-reflective, and scratch-resistant, with a lifetime guarantee against fading.
Signature Edition of 50 · ChromaLuxe Metal Print · Gallery Float Mount
Color infused into the aluminum panel itself, floated from the wall on a concealed system. Where acrylic produces luminosity, metal produces clarity. Exceptional fade resistance with no glazing or coating required.
Fine Art Edition of 100 · Hahnemühle Baryta Fine Art Paper
Printed without acrylic, so light meets the paper surface directly. Highlights stay luminous, shadows keep their nuance, and the surface has a tactile quality the other presentations approach differently. The understated choice, and the traditional one.
Complimentary shipping within the continental United States. International collector shipping available upon request.
Still deciding
Designing for Stillness
A guide to choosing art for restorative spaces
How to tell whether an image will still hold you in a year, how scale changes what a photograph does in a room, and how to match a piece to the work a room actually performs. It cites the research it draws on, and it is equally clear about where that research stops. About ten minutes to read.